![]() This was a no-phones show – everyone had to lock their devices into a magnetic pouch on entering – and once the panic of not being able to look at your phone lifted, it actually was a good feeling not to look around the theater and see hundreds of phones raised to capture out-of-focus snatches of video. The main set wrapped up with the Dead Weather’s “Gasoline,” and a pair of White Stripes’ songs, the soft-hard dynamics of “A Martyr for My Love for You,” and a flat-out roar of “Ball and Biscuit,” which led to a brief break. The older solo song “Lazaretto” featured a funky bass line beneath another great guitar solo, while White’s cover of Little Willie John’s “I’m Shakin’” swung hard. The White Stripes’ “Fell In Love with a Girl” saw plenty of hot licks and a huge sing-along from the crowd. If you can get carpal tunnel syndrome from air guitar, this guy is in trouble.) Does he shred? Ask the dude in front of me who played insane air guitar to every single song, leaping and whipping his hair back and forth while mimicking White’s riffs. Those might have been the gentlest numbers of the night, which makes sense given White’s reputation as a modern-day guitar god. “Love Is Selfish” and “A Tip from You to Me” both featured some of that folk blues feeling, and fit neatly alongside the White Stripes’ song “Hotel Yorba,” with its rollicking rhythm and roll. The design was simple, mostly no-frills, except for a chalky white statue of a man playing a ukulele, whose ear contained a hidden microphone into which White sang at one point, his voice then coming out a megaphone inside the statue’s mouth.Įarlier this year, White announced he had two albums ready to go – somebody stayed busy during their pandemic touring sabbatical! – and a pair of songs from that more folk-oriented record also showed up Tuesday. On stage, the theme of the night was blue: from the old-fashioned curtains that slowly rose to reveal the band to White’s guitars and his blue-dyed hair. Of course, he could have waited a song and they’d have been right there: “Dead Leaves and the Dirty Ground,” the first of six White Stripes songs in the set, produced a huge roar from the sold-out theater. ![]() The raw rock of the new album’s title track came next, followed by the “The White Raven,” which saw White exhorting the crowd to get up and get loud. White slipped over to the piano, leaving his guitar tech to sort out the mess, before returning to the now-functional blue sparkle-finished custom Fender Telecaster to roar through the rest of the song. But on the opening number, “Taking Me Back,” first one, then another guitar apparently malfunctioned. The night opened with a trio of songs from “Fear Of The Dawn,” his fourth solo album, released earlier this year. Judging from setlists so far on the Supply Chain Issues Tour, White and the band seem to have rehearsed the majority of his catalog of songs, mixing up selections from the White Stripes, the Raconteurs, the Dead Weather, and his solo albums each night. POP! 2-PACK GENRE_MUSIC LICENSE_THE WHITE STRIPES PRODUCT TYPE_POP! 2-PACK SOLD_OUT add-to-cart ///s/files/1/0433/1952/5529/products/61428_WhiteSTripes_POP_2PK_GLAM-1-WEB.png?v=1646907319 41916988194969 Default Title 22.00 ///shopifycloud/shopify/assets/no-image-2048-5e88c1b20e087fb7bbe9a3771824e743c244f437e4f8ba93bbf7b11b53f7824c.This was White’s first Los Angeles-area show since June 2018, when he played the Arroyo Seco Festival in Pasadena the same night as Neil Young + Promise of the Real, a pair of acts that share not only a belief in the higher power of loud electric guitars but a welcome unpredictability in the sets they perform. Vinyl figures are approximately 10 cm tall. Pop! Jack holds a white cricket bat from the album front cover, and Meg is dressed in white, holding a tissue. Recreate the iconic Elephant album with Pop! Jack and Pop! Meg.
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